With no way to twist the camera, however, its design is static compared to rivals. The C930e is a better choice for presenters thanks to its wider 90° field of view capturing more of the background, but the C925e’s 78° is perfect for everyday meetings where you need to stay centre of frame – not too big, not too small. Nor will you have to fiddle with settings to find the right colour intensity or white balance, with the onboard processing doing such a good job that the fact you can take fine control over both aspects becomes a check in a box rather than a meaningful feature. Just like the more expensive C930e, it puts you in the best light – even in the worst light. Start recording with the C925e, however, and the difference in quality becomes instantly clear.
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